I knew Josh for at least 40 years, first as a
colleague and friend. Not an intimate friend, but someone with whom I met
regularly for breakfast, where he would casually prick whatever pretensions I
had on offer that day, He loved to poke fun at my suburban life style, characterizing
me as someone who was afraid to cross the Hudson river at night. He came to our house once for Thanksgiving—surveying
the chaos of family, friends and dog like an anthropologist in Papua—and
leaving an indelible impression on my family.
He visited my daughter in Mexico City, and my Francophone granddaughter,
who was then 6, and a little Lolita, remembers tto this day the visit of “le gentilhomme charmante barbuĂ©”. He was
one of those rare individuals whose wit truly deserved the adjective “mordent”.
That
Josh was a complex man goes without saying—his range of interests, like his
circle of close friends, was extraordinarily large and unexpected—and when we
would bump into each other at some odd place like the Film Forum he would give
me a quizzical look as if to say,” what the hell are you doing here.” He never quite convinced me to go to the Pima
Bausch dance recitals—I am an old NYCB fan—but when she died, I was filled with
regret that I had not taken his advice.
One
of the things that drew us together was the fact that Josh shared with me the
growing pains of the CUNY doctoral Program. It was the two of us that began the
Neuroscience course that is now more than 30 years old, and worked together to
manage the academic rivalries at Hunter and City to make our Training Grant
work. He was always impatient with the absurdities of the academic
administration and had only one goal—to be the best teacher and researcher he
could be. And he was a phenomenal teacher. I have a distinct memory of his
staggering into a Neuroscience lecture at City College at 9:00 AM; a bit sleepy
and disheveled, with a paper cup of coffee in his hand-and then proceeding to
deliver, for the next two hours, a carefully crafted, lucid and coherent
lecture on the cerebellum—which made me feel that everything about this elusive
structure had suddenly been made clear. That’s the image of Josh I will
cherish. What I think I admired most about him was his passion for City College
and his students. It was the passion of the nun for her vocation, of the dancer
for her art. For me, that was his greatest gift to all of us.
Phil Zeigler
City and Hunter Colleges
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